I woke up at 7:30 and took the dog out. Then I wanted to compile a bunch of songs in a video, but since I updated to Windows 10, I didn’t have Windows Movie Maker anymore. I had some other dogshit program, and a Windows-sponsored link to download a video editor that seemed pretty cool until it came time to press Save and they said I have to pay for the full version. Goddamnit. Why fix things that are nearly perfect? They did the same thing with MS Paint, nuking the old, user-friendly one to replace it with some piece of shit.
So I went on
Google, and after a few unfruitful tries, quickly found a link to install the
original Movie Maker. I compiled the tracks from the two EPs of a cult
electronic music producer who goes by DJ JadPuntage and uploaded them on
YouTube for the world to enjoy.
Then I
listened to Arghoslent. Now that’s a band I’m very conflicted about, and
hesitate to even mention their name, because of their seriously stinky
political views and lyrical content. I’m not talking about “Hey that Trump
guy’s got some good points uh?” but straight up talking about Jews and blacks
in ways that make you raise your eyebrows. But... their music slays, and not
only is it fucking good, it’s also unique and unlike anything I know. They play
a mixture of melodic death metal and NWOBHM, with beats that make me want to
air drum, galloping guitar leads, and a superb death growl that ties it
together, when they don’t just make instrumental tracks. “Separating the art
from the artist” is a common dilemma that usually applies to musicians who
commit heinous acts, and while as far as I know the Arghoslent guys haven’t committed
any crimes, I can’t say I’m really down with track titles like “Flogging The
Cargo” or “Fodder For The Shoah”.
Then I
clicked on a link to an album by Indonesian grindcore band Noxa, in a very
Napalm Death vein. It was decent. The vocals were also very Napalmdeathesque,
which is not always a good thing.
I did the
calisthenics routine, ate kebab rolls, and watched two more episodes of the
Hip-Hop Evolution documentary series. Chronologically, they were making their
way from the 80s to the 90s, after covering the early days of the genre in NYC,
then exploring the burgeoning of the Miami, Texas, Los Angeles and Bay Area
scenes, and were now back in the Big Apple (god that sounds dumb and cliché to
say that!) to document the second wave. That’s where and when hip-hop reached
its highest point as far as I’m concerned, and became the best musical genre in
history (alongside death metal and grindcore, of course). Gone are the
old-school cheesy beats and monosyllabic rhymes, now DJ Premier, Pete Rock, Large
Professor, RZA and their contemporaries laid a musical foundation that still
sounds fresh nearly thirty years later, and rappers like Nas, the Wu-Tang Clan,
A Tribe Called Quest, Mobb Deep and Biggie hit their stride and dropped some of
the greatest albums of all time.
So I felt a
bit hip-hop after that, and started an album by Kool G Rap before I had to go.
He’s a great rapper from the latter part of the first wave, one that showed talent
and innovation, but like is the case with Rakim and others, I can’t help but
feel his music has aged poorly, hamstrung by the late 80s beats. Then I rode my
longboard to the girlfriend’s workplace, with the dog happily trotting along.
At night I
made falafel, and it was an epic fail. Either I didn’t drain the beans properly,
or added too much lemon juice, because the mixture was way too wet and even
after an hour in the freezer I couldn’t make balls that stuck together. I still
pan-fried the gobs and it tasted OK. The oven-baked potatoes were a great
success though, especially with a big dollop of the white garlic sauce.
We watched
The Office, and then I rewatched a short series of documentaries from Internet
Historian called The Triggering Of Shia. It’s about some kind of political
virtue signaling masquerading as “modern art” put together by actor Shia Laboof
or whatever, and the successful sabotage attempts by trolls from 4chan.
Absolutely hilarious.
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